Montezuma Quail â gouache, watercolour, pen, coloured pencil
Venezia Sketchook 9×6″; Fabriano Accademia 200gsm; Faber-Castell artist pen; DS watercolour paints; W&N gouache, Prismacolor coloured pencils.
- to add the feet, or not add the feet;
- watercolour over pen dulls the black (but the scale is too small to show the colour effects of overlapping translucent feathers);
- laying down watercolour then over-painting with gouache for stronger darks;
- realistic pattern, or suggestion of pattern;
- conceding to bird enthusiasts: differentiating between different feather types in the wings – rather like the ‘secret code’ of defining boney landmarks in figure drawing (whether they are actually visible or not);
- watercolour and gutters (!);
- format size – need to work larger and more freely (ready to upgrade to an 8×11″ Strathmore 500 Series Mixed Media journal – ostensibly for gouache (and extras), while Moleskine Folio Watercolour works for watercolour proper);
- since I’m not American, there is an enjoyable (cultural) ‘distance’ between me and the subject – an entirely different proposition if it was an Australian bird;
- the splendid ‘artificiality’ of bird portraits made many times bigger than life-size;
- absolutely no intention of mirroring reality – nature photography does that: no, my bird portraits are self-portraits of the artist.
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